DEMYSTIFYING ARCHITECTURE OF AR. DANIEL LIBESKIND

 

DEMYSTIFYING ARCHITECTURE OF AR. DANIEL LIBESKIND

 


                     (https://www.inexhibit.com/architects-artists/daniel-libeskind-works-of-architecture-art-and-design/, n.d.)

                        The aim here is to have an overview on the works of Daniel Libeskind, along with his talk on the subject of his Architectural practice. Daniel Libeskind has been labelled amongst the Deconstructivist Architects to the likes of Zaha Hadid, and others. However, Architecture of Daniel doesn’t represent any stylization or pattern, it is an ideological pedagogy that sets itself in the emotion of the site, program and culture.

His style of Architecture is unique and believes in narration of a story. He says

“It’s not the material that makes architecture”.

According to him it is a story told through light, proportions and elements.

 

                        Daniel Libeskind studied architecture at Cooper Union for the advancement of science and art, under the great architect John Hejduk. He also worked as an apprentice under architect Richard Meier. Later he worked with peter Eisenman and his first landmark project as an independent architect was at the age of 52. His architecture was often criticized for weird geometric shapes and dynamism of form. Many have labelled him as deconstructivist.


            (https://shinde.co/notes-on-daniel-libeskind-39-s-extension-of-the-berlin-museum-with-the-jewish-museum-addition, n.d.)

                       It was the path breaking project of Jewish Museum that set the stage for his architectural practice. In the Jewish Museum, he takes the visitor through a journey that starts from underground as an experience of going through the darkness holocaust and finally to emerge with the vision of future. The zig – zag shaped museum breaks the conventional stereo type offering the visitor, varied experiences.

                       The Structure can be termed as one of the pioneering architectural projects that deals with Experiential architecture. The building is a journey to be experienced and gives goosebumps to its visitors. The highest form of Impact architecture can have on its user is to give an emotional experience that comes straight from the spirit, that lies behind the Design of the building. The Design process of Daniel Libeskind doesn’t start from the first few lines on the drawing sheet or sketches. For Daniel, the process starts as a dialogue of imagery and perception that he experiences while imagining the sequence of the past and the present program with reference to the site.

                         The selection of volumetric scale, proportions, massing, texture, color and material are all ingredients that provide the sensory perceptions that have the potential to deliver the emotional quotient that he strives to achieve.


                                                          (https://www.arch2o.com/jewish-museum-berlin-studio-libeskind/, n.d.)

                         In most of his projects, Daniel Libeskind believes in interaction with the site and narratives that connect with history of the place. His projects are not traditional in term so ornamentation, design, or material palettes. However, it is designed to capture the essence of culture through artistic and experiential narration.

                         If for Le Corbusier, ‘Architect is an Acrobat’ that balances all the architectural objectives and function to create meaningful piece of art, then for Daniel Libeskind “Architect is a visionary, a saint, a spiritually evolved being’ that can hear the other voices from the site and visualize beyond that eyes can observe.

 

          (https://shinde.co/notes-on-daniel-libeskind-39-s-extension-of-the-berlin-museum-with-the-jewish-museum-addition, n.d.)

                        The experience of space, light, sound, texture, color, material and form communicates and interacts with the user a story. Architecture of Daniel Libeskind is sequence of frozen moments in time, and poetically he calls it “frozen music”. For Daniel Architecture is no different than producing music, note by note.

                        Once the ideas are figured in the mind the process of Architectural manifestation for Daniel Libeskind is an extensive play of doodling, scribbling and layering the various visons to drawings. He believes in working extensively on the drawing board, sketching, drawing ideas, deriving meanings. The manifestation of the project as an execution project is an outcome of art, architecture and engineering put to action.

                         In the Royal Ontario Museum project, Architect Daniel Libeskind places the user at the heart of the project and builds the Architectural shell around the experience that he wants the user to gain. The building is allowed to take shape, by turning, twisting and emerging out of the formal geometry evoking a vibrant emotion of spatial continuity and harmony with the spatial quality rather than merging with the Architectural fabric or form. The building obeys no rules of geometry and sets itself in contrast with the existing Architectural context clearly establishing a distinctiveness. The Architecture of Libeskind has a story for the user that is imbued in space and time.

 

                                                                           https://libeskind.com/work/royal-ontario-museum/

                   Daniel is always in search of memories hidden in a place that are to be discovered not just by observation and recording but by the experience through sense of place. Had it not been the essence of space the project ground zero could not have been a public plaza.

                    He believes architecture is a profession that requires one to be an optimist. A creative field demands optimism to generate ideas, provides solution and create master pieces. The Learning outcome of the practice of Daniel Libeskind is to be able to perceive an idea and pursue it, to the logical execution.

                     The Architecture of Daniel is inspirational and is project as well as context specific. It speaks the language of the idea behind the building and cannot be mimic or imitated to fit in any other context or project. The spiritual dimension expressed in the projects of Daniel Libeskind is a hallmark of his architectural practice.


Written by : 


Disha Salhotra ,
Final year Student (B.Arch) ,
Thakur School of Architecture & Planning.


Ar. Rajesh Parmar
Associate Professor,
Thakur School of Architecture & Planning



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